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Works Enclosed with one toy (Seix Barral - 1960). Set in the war, the narrative focuses on a group of young men frustrated by a reality that is a direct result of the war waged by their parents, and neither is yours or allow them to create their own identity. Was runner Biblioteca Breve Prize in 1960 (finally declared void), and served mainly to warn of the emergence of a future great literary talent. Although the criticism the moment he greeted her as an interesting display of objectivism then triumphant, the author himself has always described as "decadent, intimate and subjective". This side of the Moon (Seix Barral - 1962). Seen from today happens to be a valuable document of time, because both environments are shaped like characters with such precision that it seems as if the author does not need to adopt a moral point of view (or critical) behavior because the two are sufficiently expressive and qualify themselves.Above all, the character who acts as the guiding principle of action (a tricky and deceitful journalist named Michael Dot) looks like the original mold or bourgeois intellectual profile as (bad) social conscience that is disclosed in the course will be one of the best weapons Juan Marse:. the bite. Late evenings with Teresa (Seix Barral - 1966). Premio Biblioteca Breve. Pijoaparte marks the birth of one of the most powerful, original and evocative of all the literature of the time, and it seems the villain's own double Marse. Identifying author / character works with devastating accuracy and efficiency, and what starts out as the love story of a girl well, rebellious and naive (Teresa) and a cockney charnego, rootless and motorcycle thief (the Pijoaparte), ends as a satire and formidable incarnation of the time lag that brief, intense and, of course, disastrous love affair. The dark history of the premium Montse (Seix Barral - 1970). To some extent a continuation of previous work.Again he repeats a relationship between two characters who belong to different worlds that the rapprochement between them must necessarily be conflicting. In this case, the protagonist is an educated woman, educated and intensely religious, and he a young inmate, an atheist and ambitious. The biggest difference, however, lies in the great formal complexity that involves introducing a first-person narrator is sometimes witnessed the events described, sometimes serves as mere transmitter of distant events and, sometimes, becomes in an alter ego of the author, directly involved in the plot when it sees fit. If they say they fell (Novaro - 1973). Mexico Novel Award. In the words of the author, the novel is less a personal revenge against Franco, as a secret and wistful farewell to her childhood.That does not prevent that, indeed, the sordid life in a neighborhood already disappeared (Guinard ) returns to within a few stories that are intermingled satire and sexual violence with an undeniable wealth of feelings and fantasies. Many of them are using the "aventis," a finding that allows, from fabricated stories by children born and bred violence in the streets, weaving a really amazing and at the same time, strangely everyday. Confidences of a sausage (Planeta - 1977). During his tenure as or of the satirical magazine "Please", the sausage that gives voice to these stories (Juan Marse is a storyteller and, whatever you do, always will narration) was currently leaning to go shelling a series of notes, asides, jokes or sarcasm about subjects as varied as the traumatic occurrence in Spain Solzjenitsyn Russian writer, the workings of Fraga Iribarne, an alleged international conspiracy against Real Madrid or a semblance of Lana Turner.It is a chronicle of time humorously biting. The girl with the golden panties (Planeta - 1978). Premio Planeta. National Magazine Exchange In principle could be presented as a corrosive satire book by Pedro Lain Entralgo ( "Disclaimer of consciousness") or better yet, as a mockery of some characters very committed to the Franco regime and that, once cleared it, tried to clean up their image and declaring liberal conscience. Forest Luys There's that old saying Falangist writer to be writing his memoirs while in fact time and again by tweaking the past to suit the tastes of today. His niece Marianne, the girl with the golden panties, discordant voice is disassembled again and again the fantasies of the old liar. But beneath this simple pattern emerges a much more ambitious literary project because it raises the very essence of the novel, as this operation is aimed at replacing a "reality" by a "fiction" that in the background, it becomes more real than reality itself.The Pijoaparte and Other Stories (Bruguera - 1981) One day I (Plaza y Janes - 1982).